“Refreshing, innovative, creative and original.” – Sound Advice, CBC Radio

“A player of incredible, often very quiet intensity.” – The Wire

Egoyan’s take on new works is stunning…Egoyan’s remarkable playing balanced that delicacy with intense focus, holding all in a net…the spaces in between the notes were still charged with presence…I even found myself confusing sound with touch…so convincingly had Egoyan restitched our reference points. – The Globe and Mail

“AN IMPECCABLE SOLO RECITAL BY EVE EGOYAN THAT EXCELS IN EVERY POSSIBLE WAY” – Gramophone Magazine

“Eve Egoyan’s pianism has strengths in abundance, fully justifying Michael Finnissy’s testimony that ‘she illuminates the music she plays; an alchemy, authenticity and fearlessness’.” – International Piano Magazine

“What makes Egoyan an artist to die for is her devotion to new music. She specializes in the unfamiliar, but plays it so revealingly we come away from her recitals still wondering at the poetry she reveals in what can sound desiccated and dull… Her mind is all quicksilver in its lightness and leaping alertness… brilliantly clear and perceptive.” – Halifax Chronicle-Herald

“The test of a great recording is whether you find yourself temporarily unable to live without it. For certain overlapping periods this year, I couldn’t stop listening to…Ann Southam’s immense, mysterious piano piece Simple Lines of Enquiry.” – Alex Ross, The New Yorker

“Egoyan’s performance, which shares the multi-dimensional ranges and resonances of the music in exhilarating ways, seems to magically travel through the under-layers of our skin, gently leaving its imprint on our souls.” – Doina Popescu

“Egoyan is a visionary musician and pianist who is forging a new path for contemporary solo piano music.” – The Kitchener-Waterloo Record

2009: Ten Exceptional Recordings “The test of a great recording is whether you find yourself temporarily unable to live without it. For certain overlapping periods this year, I couldn’t stop listening to…Ann Southam’s immense, mysterious piano piece Simple Lines of Enquiry.” – The New Yorker