“A player of incredible, often very quiet intensity.” – The Wire

“A performer whose powers of listening cast a hypnotic spell over her audiences, opening their ears and hearts… What’s Egoyan´s secret? Meticulous preparation. Discerning choice of repertoire-she only plays music she loves… An innate love for piano sonorities and texture. Abundant technique that never advertises itself. A passionate desire to get under the skin of the music she plays… and Egoyan´s magical quality of listening…” – National Post, 1999

“With grace and intensity in equal measure, Canadian pianist Eve Egoyan seems incapable of an unmellifluous gesture.” – Opus Magazine

“Egoyan’s performance, which shares the multi-dimensional ranges and resonances of the music in exhilarating ways, seems to magically travel through the under-layers of our skin, gently leaving its imprint on our souls.” – Doina Popescu

“AN IMPECCABLE SOLO RECITAL BY EVE EGOYAN THAT EXCELS IN EVERY POSSIBLE WAY” – Gramophone Magazine

“Egoyan’s take on new works is stunning…her clear, uncompromising taste was much in evidence in the choice of repertoire…Egoyan’s remarkable playing balanced that delicacy with intense focus, holding all in a net…the spaces in between the notes were still charged with presence…I even found myself confusing sound with touch…so convincingly had Egoyan restitched our reference points.” – Globe and Mail, 2007

“Egoyan is a visionary musician and pianist who is forging a new path for contemporary solo piano music.” – The Kitchener-Waterloo Record

“A performer whose powers of listening cast a hypnotic spell over her audiences, opening their ears and hearts” – The National Post

Egoyan’s take on new works is stunning…Egoyan’s remarkable playing balanced that delicacy with intense focus, holding all in a net…the spaces in between the notes were still charged with presence…I even found myself confusing sound with touch…so convincingly had Egoyan restitched our reference points. – The Globe and Mail

2009: Ten Exceptional Recordings “The test of a great recording is whether you find yourself temporarily unable to live without it. For certain overlapping periods this year, I couldn’t stop listening to…Ann Southam’s immense, mysterious piano piece Simple Lines of Enquiry.” – The New Yorker