“Eve Egoyan’s pianism has strengths in abundance, fully justifying Michael Finnissy’s testimony that ‘she illuminates the music she plays; an alchemy, authenticity and fearlessness’.” – International Piano Magazine

Egoyan’s take on new works is stunning…Egoyan’s remarkable playing balanced that delicacy with intense focus, holding all in a net…the spaces in between the notes were still charged with presence…I even found myself confusing sound with touch…so convincingly had Egoyan restitched our reference points. – The Globe and Mail

“AN IMPECCABLE SOLO RECITAL BY EVE EGOYAN THAT EXCELS IN EVERY POSSIBLE WAY” – Gramophone Magazine

“Egoyan’s take on new works is stunning…her clear, uncompromising taste was much in evidence in the choice of repertoire…Egoyan’s remarkable playing balanced that delicacy with intense focus, holding all in a net…the spaces in between the notes were still charged with presence…I even found myself confusing sound with touch…so convincingly had Egoyan restitched our reference points.” – Globe and Mail

“Eve Egoyan’s pianism has strengths in abundance, fully justifying Michael Finnissy’s testimony that ‘she illuminates the music she plays; an alchemy, authenticity and fearlessness’.” – International Piano Magazine

“A performer whose powers of listening cast a hypnotic spell over her audiences, opening their ears and hearts… What’s Egoyan´s secret? Meticulous preparation. Discerning choice of repertoire-she only plays music she loves…an innate love for piano sonorities and texture. Abundant technique that never advertises itself. A passionate desire to get under the skin of the music she plays… and Egoyan´s magical quality of listening…” – National Post

2009: Ten Exceptional Recordings “The test of a great recording is whether you find yourself temporarily unable to live without it. For certain overlapping periods this year, I couldn’t stop listening to…Ann Southam’s immense, mysterious piano piece Simple Lines of Enquiry.” – The New Yorker 

“Refreshing, innovative, creative and original.” – Sound Advice, CBC Radio

“The test of a great recording is whether you find yourself temporarily unable to live without it. For certain overlapping periods this year, I couldn’t stop listening to…Ann Southam’s immense, mysterious piano piece Simple Lines of Enquiry.” – Alex Ross, The New Yorker

“Egoyan’s performance, which shares the multi-dimensional ranges and resonances of the music in exhilarating ways, seems to magically travel through the under-layers of our skin, gently leaving its imprint on our souls.” – Doina Popescu