Solo Toronto Programmes
* Canadian premiere, ** world premiere
April 21, 2016, Co-presentation with the Images Festival and the Aga Khan Museum, Aga Khan Museum, Toronto
EarWitness (works for piano/disklavier and image)
| Palimpia (2016) | John Oswald |
| David Lynch Études (2016) | Nicole Lizée |
| E V ∃, for Eve Egoyan (2014)** | Michael Snow |
| Homonymy (1998, revised 2016) | John Oswald |
| Surface Tension (2009– ) | Eve Egoyan/David Rokeby |
October 16 – 18, 2015, Small World Music Centre, Artscape Youngplace, Toronto
Intimate Music / CD Launch of Thought and Desire, music by Linda Catlin Smith
| byland (2015)* | Nick Storring |
| rake, rake (2015)* | John Sherlock |
| Nocturnes and Chorales **(2014) | Linda Catlin Smith |
April 19, 2013, Glenn Gould Studio, Toronto
Recital / CD Launch
| selections from Nocturnes (2009-)* | Taylan Susam |
| Piani, Latebre (2010)* | Piers Hellawell |
| Shiraz (1977) | Claude Vivier |
| RETURNINGS II (2010)** | Ann Southam |
| SKRYABIN in itself (2000-2008)* | Michael Finnissy |
December 2, 2011, Glenn Gould Studio, Toronto
| RETURNINGS I (2010) In Retrospect (2004) Qualities of Consonance (1998) RETURNINGS II: A Meditation (2010)** |
Ann Southam |
May 30, 2009, Enwave Theatre, Toronto
| Simple Lines of Enquiry (2008)** | Ann Southam |
October 20, 2007, Glenn Gould Studio
| Inner Cities 1-12 | Alvin Curran |
April 6, 2006, Glenn Gould Studio
| Herl (2003) | Martin Arnold |
| Asking (2001) | Maria de Alvear |
May 13, 2005, Glenn Gould Studio, Toronto
| Wu (2006) ** | Rudolf Komorous |
April 14, 2005, Women’s Musical Club of Toronto, Walter Hall, Toronto
| Nuevas monodías españolas (19N | José Evangelista |
| Avant-Dernières Pensées (1915) | Erik Satie |
| Crystalline (2001) | Karen Tanaka |
| Six Nocturnes | Erik Satie |
| Petite ouverture à danser (1897) | Erik Satie |
| Sports et divertissements | Erik Satie |
| Pièces Froides (1897) | Erik Satie |
| Turn (1973) | Per Nørgård |
March 26, 2004, Glenn Gould Studio, Toronto
| In Retrospect (2004) ** | Ann Southam |
| Crystalline (2001) | Karen Tanaka |
| Trail (2001) | Stephen Parkinson |
| The Art of Touching the Keyboard (1983) | Judith Weir |
| Turn (1973) | Per Nørgård |
| Nuevas monodías españolas (1999) | José Evangelista |
April 10, 2003, Glenn Gould Studio, Toronto
| Patterns of Plants, the 13th Collection (2003) ** | Mamoru Fujieda |
| Metaphonesis (2001) ** | Jo Kondo |
| Herl (2003) ** | Martin Arnold |
| To Weave (a meditation) (2003) ** | James Tenney |
| The Underfolding (2001) | Linda C. Smith |
| Crystalline (2001) | Karen Tanaka |
May 16, 2002, Glenn Gould Studio, Toronto
| Le Piccadilly | Erik Satie |
| Six Nocturnes | Erik Satie |
| Pièces Froides (1897) | Erik Satie |
| “Erik Satie like anyone else” (2001) ** | Michael Finnissy |
| Ogives (1889) | Erik Satie |
| Avant-Dernières Pensées (1915) | Erik Satie |
| San Bernardo ** | Erik Satie |
March 10, 2002, DuMaurier Theatre, Toronto
| Asking (2001) ** | Maria de Alvear |
September 29, 2001, St. George-the-Martyr Anglican Church, Toronto
| Corals of Valais (1997) | Allison Cameron |
| Carnival Evenings (2001) ** | John Abram |
| Trail (2001) ** | Stephen Parkinson |
| Rat-Drifting (1999) | Martin Arnold |
| Bloom (1996) | Linda C. Smith |
| The Chinese Box (2000) ** | Rudolf Komorous |
February 2, 2001, St. George-the-Martyr, Anglican Church, Toronto
| Préludes Flasques {pour un chien} (1912) | Erik Satie |
| Avant-Dernières Pensées (1915) | Erik Satie |
| Ogives (1889) | Erik Satie |
| Petite ouverture à danser (1897) | Erik Satie |
| Pièces Froides: Danses de travers (1897) | Erik Satie |
| Descriptions automatiques (1913) | Erik Satie |
| Menus Propos enfantins (1913) | Erik Satie |
| Véritables Préludes flasques {pour un chien} (1912) | Erik Satie |
| Deux Choses (1909) | Erik Satie |
| Profondeur (1909) | Erik Satie |
| Valse-Ballet Op. 62 (1887) | Erik Satie |
| The Dreamy Fish (1901) | Erik Satie |
| Trois Nocturnes (1919) | Erik Satie |
| Quatrième, Cinquième, et Sixième Nocturnes (1919) | Erik Satie |
May 5, 2000, The Music Gallery, Toronto
| After Handel´s “Vesper” (1995/1999) ** | Gavin Bryars |
| Aquamarine (2000) ** | Juliet Kiri Palmer |
| After the Rain (1999) ** | Anthony Genge |
| Nuevas Monodías Españolas (1999) ** | José Evangelista |
May 28, 1999, The Music Gallery, Toronto
| Corals of Valais (1997) ** | Allison Cameron |
| Crystalline (1988) * | Karen Tanaka |
| Turn (1973) | Per Nørgård |
| Rat-Drifting (1999) ** | Martin Arnold |
| A Dance for Piano “Europeans” (1990) | Jo Kondo |
| Qualities of Consonance (1998) ** | Ann Southam |
May – June 1998 (Toronto, Vancouver, Edmonton)
| Sports et Divertissements (1914) | Erik Satie |
| Piano Diary (1995) | Michael Longton |
| For Cornelius (1981-92) | Alvin Curran |
| Folklore, Section 2 (1992) | Michael Finnissy |
September 19, 1997, The Music Gallery, Toronto
| The Art of Touching the Keyboard (1983) | Judith Weir |
| Folklore, Section 2 (1992) * | Michael Finnissy |
| Sonata no. 10, Op. 70 (1913) | Alexander Scriabin |
| Vines and Tubers (Nightshades) (1997) ** | Martin Arnold |
January 13, 1996, The Music Gallery, Toronto
| De puro amor (1991) * (Out of Pure Love) | Maria de Alvear |
| En amor duro (1991) * (In Difficult Love) | Maria de Alvear |
May 18, 1995, The Music Gallery, Toronto
| Sonatina Seconda (1912) | Ferruccio Busoni |
| Schtetl Variations (1988) * | Alvin Curran |
| Rainbow Valley (1995) ** | Stephen Parkinson |
| A Nocturne (1995) ** | Linda C. Smith |
| Piano Diary (1995) ** | Michael Longton |
| Strauss Waltzes (1960-1968) * | Michael Finnissy |
May 25, 1994, The Music Gallery, Toronto
| Amores (1943) | John Cage |
| For Cornelius (1981-92) * | Alvin Curran |
| Sports et Divertissements (1914) | Erik Satie |
| Paradise Canyon (1994)** | Stephen Parkinson |
| Salvage (1993)** | John Abram |
| Deux Danses, Op.73 (1914) | Alexander Scriabin |
| Cinq Préludes, Op. 74 (1914) | Alexander Scriabin |