Short Bio

Eve Egoyan is an artist whose medium is the piano. Her intuitive musicality, insightful attention to detail, and pianistic virtuosity have made her one of the world’s most sought-after interpreters of contemporary music. Eve’s musical interests span extremely contrasting sensibilities: from Alvin Curran’s five-hour long Inner Cities to Erik Satie’s miniatures; from minimalist Simple Lines of Enquiry by Ann Southam to maximalist new complexity works by Michael Finnissy; from the barely audible to roaring overtone-filled resonances; from the rigorous interpretation of a score to free improvisation. Eve’s exploratory nature and restless curiosity have led to numerous collaborations with other artists from a variety of disciplines including technologies in relation to the piano. She has most recently been commissioning works for music and image. She is the Executive Producer on most of her ten solo discs, involved at every level of production from selecting the repertoire and sourcing the funds to overseeing all sound and visual design decisions, lovingly guiding each disc to completion. Her discs have received accolades including “Best Classical” The Globe and Mail (1999) for her first solo CD, and more recently one of “Ten Top” classical discs, The New Yorker magazine (2009), and “Top Classical Disc of the Year”, The Globe and Mail (2011). Eve’s 2016 tour of works for disklavier and image include the Other Minds Festival (San Francisco), Roy and Edna Disney/ CalArts Theatre (Los Angeles), University of California Santa Barbara, University of California Irvine, and Stanford University and the Musée des beaux arts de Montréal at Bourgie Hall in collaboration with McGill University (Montréal). Her recording of Maria de Alvear’s diptych De Puro Amor and En Amor Duro will be released in 2016.